The high notes of this piano were placed relatively close to the pickups, but they still sound OK. With this effect, piano's signal is used to modulate a fixed-frequency oscillator in a way that outputs the difference of their harmonics, creating a sound similar to a pitched percussion instrument. Stay tuned for future samples of wildly overdriven amps. This foot pedal had an extreme impact on the Rhodes sound, virtually eliminating its bell-tone and emphasizing the midrange frequencies. I EQ-ed this sample to give the mid more warmth and exaggerate the "glitching" effect of the dampers. The black variation also sound great and are recommended for pianos in the '71 - '75 era. Various amps were specifically designed for use with the Stage Piano, but in reality it was a Fender guitar amp that Rhodes players preferred. Example 2d. This is my second soundfont, an improved sampling of my 1977 Rhodes Mark I Stage 73 piano. Transistor amps can overdrive also, so it does not necessarily need to have tubes. Example 5b. Respect to Steve Woodyard, stay balanced, in-tune and healthy. For me the best non-original and the one i have used since 2010 is the Korg SV-1. The idea behind the Vibrato was to simulate a rotating speaker, although the actual sound was quite different. The Univibe is mono also. The samples, in my opinion, sound pretty cool though. You will set your key height; level all keys, square to the key slip of case, and check key dip. When a key is pressed, a wooden hammer strikes the tine which is attached to a tone bar that extends above it. Replacing questionable tines also makes voicing (our next step) that much easier. Need to find an all in one keyboard with the Best B3, Rhodes, Synth & Piano sounds!! A customized Rhodes can effectively produce a "wall of sound" and project the energy you put into it. Kevin and Tim tag-team on this piece about an American classic that still gets a lot of action some 50 years after it first hit the scene. The wah effect is commonly featured on early jazz fusion recordings by Herbie Hancock, Chick Corea and Joe Zawinul, usually producing a static EQ from being left in the "always on" state. Robert described the keyboard as sounding like "garbage." Need for Home Studio, and Live Stage!! Fender rhodes Sound Effects (14) Most recent Oldest Shortest duration Longest duration Any Length 2 sec 2 sec - 5 sec 5 sec - 20 sec 20 sec - 1 min > 1 min All libraries Bobby Cole 0:04 Example 5a. This makes a huge difference in producing an even scale across the Rhodes piano. Listen: Supermarket Romance (MP3, 1.0 MB). I like to use an amp to get that kind of tone. Example 2c. AC Inlet Jack - Rhodes Janus Amplifier AC Outlet Square, Janus-1 ... cae sound rhodes hardware 2 hole corner 024695. The oldest, the grand-daddy of all virtual Rhodes is the Lounge Lizard from Applied Acoustics. Set up your key bed correctly. Clavia Lab by Simple Media. Rob wishes to thank James Garfield and Major Key for feedback and support, and their successful effort to keep the Rhodes alive and kickin'. They often have peaks at 3 or 4 khz that can be too piercing for a Rhodes. This is the same effect circuit found in the Roland JC-120 Jazz Chorus, another 2 x 12" guitar amp popular among Rhodes players. Example 4. The colored variation are not quite as firm as the black variation which results in a very warm character. There is the SFX speaker by Groove tubes. In retrospect we should have given it more overdrive, but if you listen carefully to the beginning of this sample you hear the kind of overdrive you get from the Twin on your high frequencies. Once the key bed has been set, you can determine whether you need an action modification known as the “Miracle Mod” for any piano built before 1978. Rob Coops has contributed amongst others to great live recordings of In my opinion almost any Rhodes can sound professional, as long as you use a good preamp/EQ, exchange the parts that are bad and, ideally, let an experienced Rhodes tech optimize the action and sound for you, to really get the most out of the instrument. The problem with guitar amplifiers is that the EQ-ing on those amps is not designed for a Rhodes but for a guitar. And there is the Motion Sound module. We forgot to switch off the preamp's tremolo effect, so you are hearing a sort of compressed Vibrato that is swept from left to right with the Wavelab stereo panner. On top of the chorus effect, the box could switch over to a pitch-shifting vibrato. This is a 1979 Rhodes that I customized for a jazz player in September 2005. After purchasing the Rhodes trademark from CBS in 1987, Roland developed a line of digital "Rhodes" keyboards that didn't exactly sound like the real thing. The Fender Rhodes piano uses a steel tine as its main tone source. A Rhodes and a Wurlitzer sound different, … This gives it an extremely unique sound that is very recognizable. The signal was recorded via a Delta 1010 soundcard (24 bits, 96 khz) into Wavelab. A good but pricier alternative to the Small Stone and MXR: the Univibe. We greet Ray up in the sky, who immortalized the Rhodes in that soulful and funny movie. I resampled Example 2a through a BOSS CE-1, with intensity set to 0. The MP3's were made an hour before the piano was picked up by the client, in a very casual way. Example 8a. Note that if you are using cheap consumer speakers, you may experience distortion in the high soloing notes of the following samples. Weak and incorrectly adjusted dampers are responsible for many issues—from notes double-striking to after ring and muting. 3 hole corner for Fender Rhodes, AC Jack - Janus. Example 3. We do spent 99% of our time around electronic pianos, but trust us: it’s not just our bias talking. 5. This broadens the sound without the chorus (detuning) itself being too obvious. Works for the most part but probably needs a tune up. The Rhodes Mk1 suitcase has a fair amount of bark, I would pair it with the Sparkletop since it has a very natural tine sound. At Vintage Vibe we replace a lot of tines! In the midsection they can lack clarity and the proper ability to vibrate correctly causing a dull tone. I like the irregular movement and tone of this effect. The piano used in the recordings was customized by me in July 2005 for a 72-year-old jazz musician who bought it 25 years ago in Amsterdam and did not use the instrument much (i.e. Realize that any Rhodes that you hear on a CD has been processed to optimize dynamics and tone. Example 2a. respective owners and are not affiliated with or endorsed by this website. Mike Nesmith wrote Linda Ronstadt's first hit, "Different Drum," before he joined The Monkees. (Try this with a Motif?...I will buy them for $200.- a piece.). Before addressing other procedures, a Rhodes key bed must be set to the proper height, key dip must be verified to your liking (usually 3/8" ± 1/16"), and keys must be leveled and squared to the key slip of the case. In terms of effects, tube overdrive became a normal part of the piano's tone, with tremolo and spring reverb being available as well. it was in pretty good shape). But I am also a Hendrix fan...Jimi used this pedal on "Machine Gun" with an Octavia, a Fuzzface and a few stacks of Marshall's. I used a little bit of everything, most obvious the reverb. No legs. Rhodes. Like a conventional piano, the Rhodes generates sound with keys and hammers, but instead of strings, the hammers strike thin metal tines, which vibrate between an electromagnetic pickup. It also forms the foundation to how all other setup procedures are balanced and supported, and how they operate. This sound is available to any studio with a soundcard, a preamp, and a customized Rhodes. Just like the piano, it generates its sounds from hammers hitting metal tines. You will sometimes hear this referred to as the Fender Rhodes piano as it was created by Fender. Surprisingly this does sound pretty decent and the 6 piano variations tend to lean more towards an airy sound rather than the harsher Rhodes sound. Same piano as the previous example. This sample was resampled through a Small Stone phaser (coloration knob downwards). The sparkletop sounds closest to my old Rhodes but does not have the bark as I had the pickups very close. The biggest advantage of the CE-1 was its stereo output, a major improvement over the mono-only phasers available at the time. Roland "Rhodes" Synthesizers. Later in the 1970's and into the 80's, the phase shifter was regarded as a natural choice for adding body to the Rhodes tone. The feel and performance of the key bed has a direct correlation to how your piano feels and responds. Example 6. Who says a Rhodes can't be psychedelic? Quando, quando??? The signal is then sent through a cable to an external keyboard amplifier and speaker. Example 7. The subtle stereo-sweeping is the Waves Metaflanger: the Small Stone itself is a mono pedal. It is a Suitcase box from 1975 with the concentric knobs on the front panel. We recorded it with only one Electro-Voice RE-20 dynamic microphone and a Tube-Tech MP1A microphone preamplifier. The Fender Twin Reverb was and continues to be the recommended amp for use with the Rhodes (see the Models section for more details). The Rhodes piano (also known as the Fender Rhodes piano or simply Fender Rhodes or Rhodes) is an electric piano invented by Harold Rhodes, which became popular in the 1970s. An honorable mention goes to the Ring Modulator, the cacophonous effect used to mutilate Jan Hammer's Rhodes playing with the Mahavishnu Orchestra. If someone came up to me and said, “You only have five steps to make Donald Fagen’s Rhodes ready for his recording session tonight,” my initial reaction would be, “That’s hard,” because so many variables determine how a piano sounds and plays. This is my second soundfont, an improved sampling of my 1977 Rhodes Mark I Stage 73 piano. This distortion is not part of the original sample. The tolex is fair for its age. A ¼-inch nut driver is used to adjust the pickup volume; by loosening the pickup screw and sliding the bracket toward or away from the tine, you effectively change volume. It can sneak up on you: that warm, soothing yet crunchy keyboard from the late ‘60s and early ‘70s. It was one of the first electric pianos that was used in live performances. A well-customized Rhodes provides a wide range of sounds to the player. By Tim Quine. Front-panel controls were provided for Speed and Intensity. While tuning is a given for any instrument, voicing is where the magic happens. The piano is still connected to the Suitcase preamp, but is now amplified by a Fender Twin Reverb (silverface with master volume). Rhodes pianos were among the most distinguished instruments of the new musical era. Everything is velocity-sensitive and you can still hear the typical Rhodes growl when pushing notes hard. Read my lips: this sample has been heavily EQ-ed, with a lot of high-frequency boost. The BOSS CE-1 Chorus Ensemble produced similar results, but with a wider palette of options. Angie Stone and the Dave Douglas Quintet (Uri Caine). Check them out and judge and decide for yourself. Most always replacement is necessary. One of the most popular outboard effects for the Rhodes was the Wah-Wah Pedal. The twin has that open back so you get that flappy low end where the speaker is sometimes a bit out of controll. There are many different amps on the market, valve, transistor, or both. The Phase 90 was an orange "stomp box" with an on/off switch and a single knob for controlling the effect's speed, while the Small Stone included an additional "color" switch for manipulating the overall frequency response. Rob Coops of the Netherlands provides us with a variety of recordings demonstrating many of these effects in different configurations: The audio examples here show how a customized Fender Rhodes can sound when it is directly recorded, recorded with an amp, or directly recorded with analog effects. I edited the sample with Waves plugins: I used the R-Comp, the Paragraphic EQ, the Trueverb, and the stereo panner by Wavelab. The Suitcase Vibrato was the original Rhodes effect, built into all versions of the Suitcase piano (as well as Stage models with the Super Satellite & Janus I systems). With the release of the first Stage models in 1969, the player's choice of amplifier also began to shape the piano's sound. These later Rhodes Mark I models have the same basic characteristics as a Mark II with wooden keys. You can control the intensity of this effect, unlike the Small Stone and MXR. The escapement is the relationship or “blow distance” between the hammer tip and tine. I filtered away the highest frequencies with the EQ plugin (they always irritate me). Have fun. It is at this point when you would install that modification to the piano if needed. Have you freed your sound today? But amps can make a sound come more alive, and it is challenging to rework an amp-recorded Rhodes in your studio. Besides, there are plenty of places online where you can find pristine samples of all sorts of things, but here at AfroDJMac.com we favor sounds are unique and have personality! He played an intentionally bad version of it on the show. I personally like a vintage "Herbie" sound, but if you listen on good speakers it will sound bright enough. When the Suitcase amps went stereo in 1969, this pattern was translated into a panning effect. The rack was made with samples of a Fender Rhodes Keyboard. 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Pedal had an extreme impact on the show our time around electronic pianos, but they’re actually pretty different and. Rhodes in mind pianos in the upper treble section, the cacophonous effect used to mutilate hammer! Relationship or “ blow distance ” between the hammer tip and tine Example... I like to use an amp to get that kind of funky-grungy sound you get your... 90 were the two popular phaser choices during this era music genres decide for yourself a Fender piano...
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